There is a return to the American train sounds from the first movement. The third movement, After the War, features the Holocaust survivors talking about the years immediately following World War II, along with recordings of Davis and Virginia. The American train whistles are long perfect intervals of ninths and fifths, while the European train whistles are mostly short triadic shrieks. European train sounds and sirens are heard in this movement. In the second movement, Europe - During the War, three Holocaust survivors (identified by Reich as Paul, Rachel, and Rachella) speak about their experiences in Europe during the war, including their train trips to concentration camps. while American train sounds are heard in the background. In the first movement, America - Before the War, Reich's governess Virginia and Lawrence Davis, a Pullman porter, reminisce about train travel in the U.S. The recorded speech that forms the basis for Different Trains is taken from interviews with people in the United States and Europe about the years leading up to, during, and immediately after World War II. Įntrance to the Auschwitz concentration camp The recorded version on this album lasts for approximately 27 minutes. In addition to speech, the piece includes recordings of train sounds, as well as of sirens and warning bells, and prerecorded multiple lines by the string quartet, thus effectively creating four quartets out of one, reflective of three Counterpoint pieces that preceded it: Vermont Counterpoint for multiple multitracked flutes, New York Counterpoint for multiple multitracked clarinets, and Electric Counterpoint for multiple multitracked electric guitars. The music for the strings makes extensive use of paradiddle rhythms, with alternating pitches instead of alternating drum sticking. The melody is then developed for a while, with the instruments playing along with the recording of the phrase or part of the phrase. In each part, melodies are introduced, usually by a single instrument (viola for women and cello for men ), a recording of the spoken phrase from which the melody derives is played.
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